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NAB 2024: BirdDog Talks X1 and X1 Ultra PTZs and MAKI Box Camera

BirdDog创始人 & 在NAB 2024的BirdDog展位上,首席执行官丹·米尔在接受流媒体记者肖恩·林的采访时,讨论了BirdDog最新的相机产品——X1和X1 Ultra PTZs以及MAKI Ultra箱形相机.

NAB 2024:艾伦 & Heath Talks CQ Series Digital Audio Mixers

艾伦 & Heath Marketing Specialist Richard Starr gives viewers a close-up look at 艾伦 & Heath's CQ Series digital audio mixers with their touchscreen and physical controls, 自动混音器, 会议预设, 车库乐队, 和更多的, 和远程操作能力,这是对来自艾伦的流媒体的肖恩·林的采访 & 2024年NAB的Heath booth.

NAB 2024: Blackmagic Design, SMPTE 2110, and Video Over IP

In this interview from the Blackmagic Design booth at NAB 2024, Blackmagic Design的Bob Caniglia和流媒体的Shawn Lam讨论了Blackmagic如何使制作人能够将4K和高清信号转换为SMPTE 2110,以便他们可以跨IP网络移动内容, 他们的新开源2110 IP编解码器和新的配备10g端口的Blackmagic Design相机支持它,如PYXIS 6K和URSA Cine 12K.

NAB 2024: vMix Talks vMix 27 and Zoom Integration

Among the key features of vMix 27 are Zoom integration, 允许远程百家乐软件app最新版下载引入(理论上)无限数量的远程访客, vMix高级系统工程师Heath Barker在NAB的vMix展位上接受了流媒体的Shawn Lam的采访. Barker also does a quick hands-on demo of how the feature works.

NAB 2024: PTZOptics Talks Hive Studio and Remote Camera Control

PTZOptics Director of Technology Matthew Davis discusses Hive Studio, PTZOptics new cloud-based remote camera control solution, in this interview with 流媒体's Shawn Lam at NAB 2024.

什么是atsc3.0和流媒体即将到来吗?

关于ATSC 3的问题很多.0,又名下一代电视:是OTA吗? 是不是太过了?? 是中央电视台吗?? 我的电视能播放吗? Is it coming for streaming with its promise of new lean-forward, interactive consumer experiences and addressable advertising? Where does it overlap with OTT and FAST, and what does it offer viewers that they aren't getting from OTA TV now? ATSC主席Madeleine Noland, E.W. 克里·奥斯朗德, 辛克莱首席信息官Scott Ehrlich说, 和Dillon Media Ventures的Rob Dillon在这段来自流媒体连接2024的视频中探讨了这些问题以及更多问题.

NAB 2024: Atomos谈论忍者手机

在NAB 2024的展厅里, 流媒体和SLV Live的Shawn Lam采访了Atomos首席执行官jeremy Young关于新的Atomos忍者手机, which turns an iPhone 15 Pro or Pro Max into a 1600nit, 10位, 2,000,000:1的对比度, 460 ppi, HDR OLED, ProRes monitor-recorder for any pro HDMI camera.

How Can Sports Streaming Surpass Broadcast and Cable?

The first measure of sports streaming success is replicating the cable/broadcast experience, 但AWS的朱莉·尼南·索萨坚持认为,在利用流媒体的核心优势方面,体育流媒体应该把目标定得更高, from interactivity to betting to personalization to live ecommerce. 与此同时,ViewLift的Chance 梅森认为,下一级体育流媒体传输的关键是像AWS这样的流媒体基础设施公司接受他们作为D2C媒体公司的新兴角色,并在这一层面与体育联盟和体育版权所有者合作. Souza, 梅森, 和Altman Solon的Matt del Percio在流媒体连接2024的这段视频中讨论了体育流媒体的这些和其他新兴机会.

Brand Identity and Multiplatform Streaming Apps

在流媒体用户体验和应用程序设计中保持品牌标识和差异化有多重要, 多么重要, 甚至不可能或不明智, is it to sustain a consistent look and feel across different platforms? And how crucial is branding in the overall fan experience, or building a fan base for the content associated with your brand? YouTube电视台的埃丝特·安报道, 麦哲伦电视台的James Lauzun报道, and Crunchyroll的Tom Hurlbutt weigh in, in this discussion with Reality Software's Nadine Krefetz at 流媒体连接2024.

How Globo Handles Latency Costs for Live Sports Streaming at Scale

When it comes to implementing streaming tech for large-scale, 高赌注的体育直播, 通常,围绕管理延迟的决策不仅受到网络条件的影响,还受到成本的影响, 观众的期望, 诸如此类. 全球数字产品,平台 & Adtech经理Jonas Ribeiro在流媒体连接2024上与Eyevinn Technology的Magnus Svensson讨论了Globo在典型体育流媒体上的延迟,以及影响这些数字的因素.

CBS体育如何应对云vs. 预置流工作流

流工作流和架构的大多数基本元素正在向云迁移, 但是驱动流工作流程开发的根本问题应该永远不是我们如何将这个或那个流程迁移到云上, but what will serve the production and the viewer best, according to CBS Sports Senior Director, Advanced Production Technology Corey Smith, 在与Eyevinn Technology的Magnus Svensson的流媒体连接2024的讨论中,谁打破了这些问题.

数据规范化能快速修复吗?

可以说, FAST生态系统面临的两个最大挑战是管理广告体验和为支持该平台的品牌提供投资回报率. 专家, 从弗里曼特尔的劳拉·弗洛伦斯到Fuse Media的帕特里克·考特尼,再到媒体制图师埃文·夏皮罗, 同意将他们收集的数据标准化,并按照程序化广告的承诺进行投放,这是实现这一切的关键. But as this clip from 流媒体连接2024 reveals, it's easier said than done.

Walmart’s Vizio Acquisition and the Future of FAST

沃尔玛(Walmart)最近收购Vizio,以及亚马逊Prime将收购Freevee的传闻,这些都告诉我们FAST生态系统的状况如何? 像Tubi和Fremantle这样的公司如何在不断变化的媒体环境中优化他们的FAST产品? Tubi的Sam Harowitz和Fremantle的Laura Florence在流媒体连接2024上与媒体制图师Evan Shapiro进行了讨论.

AWS, ViewLift & Altman Solon on the State of Sports Media 2024

Live sports is the last appointment viewing left in the media world, 但与此同时, 在授权和权利以及流媒体用户访问他们想要看到的游戏的能力方面,混乱占据了主导地位. AWS Head of Sports Julie Neenan Souza, ViewLift副总裁Chance 梅森, 和Altman Solon导演Matt DelPercio在这段来自流媒体连接2024的视频中讨论了体育媒体的现状.

AVC/H.264编解码器最终衰落?

How close to obsolescence is AVC in 2024, AV1和其他更高效、越来越成熟的“新兴”编解码器,如VP9和HEVC正在崛起? Meta的Hassene Tmar, Netflix的安德烈·诺金说, AMD的肖恩·加德纳, and 帮助我流媒体的蒂姆·西格林 weigh in during this clip from 流媒体连接2024.

Giving Users Control in Streaming App Design

How important is it for streaming users and viewers to be able to customize, 个性化, and curate their experiences with streaming apps? And what are product designers doing to facilitate those types of experiences? YouTube电视台的埃丝特·安报道, Crunchyroll的Tom Hurlbutt, 和麦哲伦电视台的詹姆斯·劳赞在这段来自2024年流媒体连接的视频中提供了他们的观点.

How Premium Sports Streaming Licensing Will Shake Out in 2024 and Beyond

As the prices paid for top-tier sports streaming rights continue to reach astronomical levels, and the potential disruption created by the blockbuster ESPN/Fox/Warner Bros. joint venture (popularly termed "Spulu") teased in February, 随着2024年的到来,体育授权会是什么样子,谁能负担得起,这是每个人的猜测. Will it play out differently in the U.S. 和欧洲? And as costs are passed on to users, why wouldn't sports fans just stick with cable? Find out what top analysts like ESHAP's Evan Shapiro, 我是保罗·埃里克森, Dataxis的Ophelie Boucaud说, 以及TVREV的艾伦·沃尔克, say in this clip from 流媒体连接2024.

How to Design Streaming Apps and UX Strategically in 2024

What does it take to be a streaming app designer and director of product in 2024? According to YouTube电视台的埃丝特·安报道, Crunchyroll的Tom Hurlbutt, 以及菲罗的布兰登·雅普, 拥抱这一角色的演变意味着在设备生态系统中不断变化, viewer behavior and device preferences, and the modernization of the TV viewing experiences, as they discuss in this clip from 流媒体连接2024.

How to Solve Interactive Streaming’s Latency Challenges

What are the biggest challenges to delivering successful large-scale interactive live streams, particularly achieving the requisite low latency, 以及适用的技术解决方案? 纳米宇宙公司首席执行官奥利弗·莱茨说, 帮助我流媒体的蒂姆·西格林, 和Motoworlds的Darcy Lorincz确定了现实世界的交互式流媒体问题,以及如何解决这些问题,并在这段来自流媒体连接2024的视频中提供从传统流媒体到虚拟世界的高质量用户体验.

How Netflix, Meta, and United Cloud Choose New Codecs and Why

对于像Netflix和Meta这样拥有大量内容库的公司来说,迁移到新的编解码器充满了挑战和复杂性, or live linear providers like United Cloud. 是什么驱动了编解码器的更改决策,以及哪些考虑和权衡使这些决策相对于遗留用户和更多的决策变得复杂? Netflix的安德烈·诺金说, Meta的Hassene Tmar, 曼联云的博班·卡萨洛维奇, 和帮助我流媒体的蒂姆·西格林讨论这些问题,以及更多来自流媒体连接的视频.